Helen
She rises from the flower-pot soil,
sad as a caged Queen.
Her hands, fixed behind,
pushing her head towards
the moon.
Her lips as still as
trees after a storm, lying flat
and bloodless. She does not
let her hair down, or her
firm skin flex.
She has seen what lies underneath
where worms and millipedes crawl.
Half of her still there –
the other half, awakening
struggling up, away from the tar-sand
ruins.
Feline Dream
Winter comes like a blank page
dropping over the city.
Houses glow in
T.V. light,
dulled and eerier.
Somewhere my mind has lost itself,
trekking through this burning time.
I see the eyes of animals in every place.
I see a kestrel cribbed in the sky, beating
against clouds and taunting crows.
I do not know what I am:
I live the nights through like a cat,
soothed by poetry
and the moon-white
fury
of solitude
under stones.
© Allison Grayhurst
Missed the Mark
I felt I could almost run
the passage.
But the mist and
the naked days
of winter’s burning
snows
made my head heavy and
a purpose too slender to follow.
A twisted brightness came crashing
through the ghosts surrounding.
Nothing but a comforting
numb held my feet to the ground.
I thought my blood was more
than words. I thought to claim
my flesh anew.
But love shifts like coastal waters
and only the drumming tides
of error and time
can guide me now –
away.
© Allison Grayhurst
No Wedding Day
Held up by the strings
and the ragged chains
of expectation.
This is the
last vein to burst,
the last root
to dry.
Keep your milk
and music for
the moon – mother
of dreams, mother
of personal metaphor.
The marriage ring has taken
its final curve.
From now on, only
a gypsy smile,
only a trumpet blow
for the wanderer’s freedom.
Clouds cave over the sun
like a fist. Children play on
the green-pink hills
as all disappointments line up
on the wave of their laughter
to be killed or
pardoned.
© Allison Grayhurst
Step Through Summer
Dying for my thoughts to fade
into an amnesiac slur, not judge my
convalescent love.
Waiting for sleep to
move to a higher
octave, away from guilt, blame and
artful blindness.
The light that falls forever
into the gullies
of souls and skulls – comforts
but cannot heal. The wind too cannot
give like a compass burn.
I pace the floors, longing
to surrender what I have
to the summer flowers,
remaining.
© Allison Grayhurst
Allison Grayhurst is a member of the League of Canadian Poets. Three of her poems were nominated for “Best of the Net” in 2015, and one eight-part story-poem was nominated for “Best of the Net” in 2017. She has over 1150 poems published in more than 460 international journals and anthologies. Her book Somewhere Falling was published by Beach Holme Publishers, a Porcepic Book, in Vancouver in 1995. Since then she has published sixteen other books of poetry and six collections with Edge Unlimited Publishing. Prior to the publication of Somewhere Falling she had a poetry book published, Common Dream, and four chapbooks published by The Plowman. Her poetry chapbook The River is Blind was published by Ottawa publisher above/ground press December 2012. In 2014 her chapbook Surrogate Dharma was published by Kind of a Hurricane Press, Barometric Pressures Author Series. In 2015, her book No Raft – No Ocean was published by Scars Publications. More recently, her book Make the Wind was published in 2016 by Scars Publications. As well, her book Trial and Witness – selected poems, was published in 2016 by Creative Talents Unleashed (CTU Publishing Group). She is a vegan. She lives in Toronto with her family. She also sculpts, working with clay; www.allisongrayhurst.com
Short bio: Allison Grayhurst is a member of the League of Canadian Poets. Four times nominated for “Best of the Net”, 2015/2017, she has over 1150 poems published in over 460 international journals and anthologies. She has 21 published books of poetry, six collections and six chapbooks. She lives in Toronto with her family. She is a vegan. She also sculpts, working with clay; www.allisongrayhurst.com
Collaborating with Allison Grayhurst on the lyrics, Vancouver-based singer/songwriter/musician Diane Barbarash has transformed eight of Allison Grayhurst’s poems into songs, creating a full album. “River – Songs from the poetry of Allison Grayhurst” released October 2017.
Some of the places her work has appeared in include Parabola (Alone & Together print issue summer 2012); Elephant Journal; Literary Orphans; Blue Fifth Review; The American Aesthetic; The Brooklyn Voice; Five2One; Agave Magazine; JuxtaProse Literary Magazine, Drunk Monkeys; Now Then Manchester; South Florida Arts Journal; Gris-Gris; The Muse – An International Journal of Poetry, Storm Cellar, morphrog (sister publication of Frogmore Papers); New Binary Press Anthology; Straylight Literary Magazine (print); Chicago Record Magazine, The Milo Review; Foliate Oak Literary Magazine; The Antigonish Review; Dalhousie Review; The New Quarterly; Wascana Review; Poetry Nottingham International; The Cape Rock; Ayris; Journal of Contemporary Anglo-Scandinavian Poetry; The Toronto Quarterly; Fogged Clarity, Boston Poetry Magazine; Decanto; White Wall Review.
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